Watch film : Madsen’s “Flame and Citron,” Sandburg & Ronning’s “Max Manus,” Ple

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Watch film :
Madsen’s “Flame and Citron,” Sandburg & Ronning’s “Max Manus,”
Please write a blog post responding to one of the following prompts (500-1500 words). You will also be assigned to review two blog posts written by your classmates. These reviews should be meaningful responses that engage with the points raised by each blog post. The reviews should be at least 250 words.
1. Address the depiction of the “war hero” in Madsen’s “Flame and Citron,” Sandburg & Ronning’s “Max Manus,” or both.
Example:
my classmate’s posts as example,(not reference, you may not copy it)
1. Address the depiction of the “war hero” in Madsen’s “Flame and Citron,” Sandburg & Ronning’s “Max Manus,” or both.
In times of war, there are many that take up the role of being a resistance fighter but rarely do they become widely known and talked about. Both the film Flame and Citron and Max Manus depict the life and heroism of war heroes, Bent Faurschou-Hviid and Jorgen Haagen Schmith, and Max Manus, respectively. While both have similarities with them being about Danish resistance fighters, their stories differ greatly.
The 2008 historical drama film, Flame and Citron, by Ole Christian Madsen, tells the fictionalized account of two Danish resistance fighters nicknamed Flammen and Citronen. Flammen and Citronen are part of the Holger Danske resistance group and are tasked with killing Danish Nazi officials and collaborators. According to Ole Christian Madsen, the film try to depict “war hero” as being mainly just a casualty of war, a rather complicated experienced that is beyond the scope of good versus evil dichotomy. Through the themes of love and betrayal, the film essentially present Flammen and Citronen as war heroes, specifically martyrs of the Danish resistance. The film spends a good amount of time showing Flammen and Citronen carry out orders assigned to them while they navigate the aspects of relationships. For Flammen, he deals with the possibility of being with possible double agent, Ketty Selmer, while Citronen have to navigate the diminishing relationship with his wife. By presenting the two characters dealing with their own relationships, the film depict the two “war hero” as regular people that still experiences the livelihood of falling in love and being heartbroken, rather than just soldiers of the war. The ending scenes are significant such that they depict these war heroes as martyrs. Here, we see Flammen last breath before he takes the cyanide pill and Citronen fighting until the end before being shot down. While the film exaggerates the death of the two resistance fighters, it greatly present “war hero” as a greater entity, martyrs willing to go the distance for freedom.
The 2008 Norwegian biographical war film, Max Manus: Man of War, narrates the real events of Norwegian resistance fighter Max Manus. Initially, together with the Norwegian resistance, Max Manus produced illegal propaganda. After escaping arrest, he received training in sabotage and disinformation. With this training, Max began taking on mission to attack German supply ships. Throughout the film, we see Max slowly loses many of his friends and taking on the emotional burden that comes with it. Compared to Flame and Citron, Max Manus depicts war hero as casualty of the war. We see this in the film through Max as he slowly succumb to the effects of the war, specifically in the final few scenes. In one of these scenes, Tikken confronts Max to which he is curled on the couch with alcohol surrounding him. Max then exclaim to Tikken that due to the war, he is in a poor state with no jobs. In another scene, Max also meets Fehmer, former Gestapo Chief, who contributed to many of his friends’ death. In this scene, Max realizes that everyone is just a victim of war. This scene is powerful such that a war hero like Max Manus cannot escape the reality and effects of war.

 

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